Jonathan Black is especially relevant here, because he too shot Mason back in the 90s. Similarly for Bauer in his images of Mason. … But Black was also trying to evoke characters: the personas he saw in these men, and perhaps the ones they saw in themselves. There’s no question that the images present the subjects as “objects of lust”, as one commenter put it, and I’m sure that was part of Black’s intention there would be nothing surprising, or wrong, in jacking off to whichever of these photos move you. Some commenters on the Idols book dismiss it as high-class (and expensive) jack-off material. (The uncropped photo is #2 in my AZBlogX posting.)īrief digression (from an earlier posting here) on the photographer Jonathan Black and his book Idols on male photography, which explores the male body, especially with a gay gaze and on the genre of images like the two above: All in all, a performance signaling receptivity.Īlso from the Gay Muscle Time site, another photo (pretty clearly from the same shoot as #1), with focus on his biceps as well as his abs, but this time fully open to you, in a pits-n-tits pose: There, Mason’s cock is half-hard, inviting you to make it fully hard.
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The full photo - from the Gay Muscle Time site (“focusing on gay muscle men”) - can be seen as #1 in my “Mark Mason” posting on AZBlogX. (Also note the erect nipples he’s aroused.) In the postcard version of the photo, his mouth is slightly open, a further gesture of invitation. Here we see the muscular, mildly scruffy Mason gazing intently, invitingly, into your eyes, with the suggestion that he might smile soon, meanwhile displaying his body, especially his six-pack, for you. Here’s a version of the postcard photo, with Mason’s genitals cropped out: (In particular, “Tales From Two Cities” Minus Gay Sex” Mason appears in the cast of the original “Tales From Two Cities” of 1999.) Mark Mason then led me to a vein of humor/criticism that I hadn’t realized existed: Gay Porn Minus Gay Sex, intended as a critique of bad gay porn: when you don’t have the visuals (the meat in the sandwich, as it were), you’re forced to attend to the acting and so will begin to appreciate the deficiences of the acting.
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To come: material on Mason then on Bauer and some subjects of his other than Mason then a digression on what is almost surely a different photographer named Matt Bauer. It starts with postcards that Max Meredith Vasilatos has been sending me, including a couple with photographs by Matt Bauer (who was new to me): shots of gay pornstars that are clearly gay porn, and intended to be, but are also male art of some interest. (Much about gay porn, so there’s plenty about the male body and man-man sex, in very plain language, but (just barely) without the visuals.